John Travolta verkörperte in „Pulp Fiction“ „Vincent Vega“. Hier ist er während seines Abends mit „Mia Wallace“ im Restaurant „Jack Rabbits“. Diese Darsteller wollte Quentin Tarantino eigentlich für „Pulp Fiction“ haben. von Rolling Stone Johnny Depp als Pumpkin, Marisa Tomei als Mia. Das Kleinkriminellenpärchen Pumpkin und Honey Bunny überfällt einen Diner in L.A und gerät dabei an den Auftragkiller Jules. Dieser und sein Partner Vincent Vega werden bei einem Auftrag für ihren Boss Marcellus Wallace mit der Beseitigung einer.

Pulp Fiction Besetzung Komplette Besetzung von Pulp Fiction

Das Kleinkriminellenpärchen Pumpkin und Honey Bunny überfällt einen Diner in L.A und gerät dabei an den Auftragkiller Jules. Dieser und sein Partner Vincent Vega werden bei einem Auftrag für ihren Boss Marcellus Wallace mit der Beseitigung einer. Pulp Fiction – Wikipedia. Vincent Vega | Fans. Bekannt für. Passwort: Swordfish. Fan werden. Samuel L. Jackson. Jules Winnfield | Fans. Bekannt für. Jackie Brown. Schauspielerinnen und Schauspieler. John Travolta. Rolle: Vincent Vega. Samuel L. Jackson. Rolle: Jules Winnfield. Uma Thurman. Rolle: Mia Wallace. als. Honey Bunny (Yolanda). Laura Lovelace. als. Waitress. John Travolta. als. Vincent Vega. Samuel L. Jackson. als. Jules Winnfield. Phil LaMarr. als. Marvin. John Travolta verkörperte in „Pulp Fiction“ „Vincent Vega“. Hier ist er während seines Abends mit „Mia Wallace“ im Restaurant „Jack Rabbits“. Das ist die Besetzung: John Travolta als Vincent Vega; Samuel L. Jackson als Jules Winnfield; Uma Thurman als Mia Wallace; Bruce Willis als.

John Travolta verkörperte in „Pulp Fiction“ „Vincent Vega“. Hier ist er während seines Abends mit „Mia Wallace“ im Restaurant „Jack Rabbits“. Jackson als "Vincent Vega" und "Jules Winnfield". (Foto: imago stock&people). Hätte uns Jackson nicht seinen Hesekiel-Vers 25,17 vorgetragen . Das Kleinkriminellenpärchen Pumpkin und Honey Bunny überfällt einen Diner in L.A und gerät dabei an den Auftragkiller Jules. Dieser und sein Partner Vincent Vega werden bei einem Auftrag für ihren Boss Marcellus Wallace mit der Beseitigung einer.

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Edit Cast Cast overview, first billed only: Tim Roth Pumpkin Amanda Plummer Honey Bunny Laura Lovelace Waitress John Travolta Vincent Vega Samuel L.

Jules Winnfield Phil LaMarr Marvin Frank Whaley Brett Burr Steers Roger Bruce Willis Butch Coolidge Ving Rhames Marsellus Wallace Paul Calderon Paul Bronagh Gallagher Trudi Rosanna Arquette Jody Eric Stoltz Dick Dale 's rendition of " Misirlou " plays during the opening credits.

Tarantino chose surf music as the basic musical style for the film, but not, he insists, because of its association with surfing culture: "To me it just sounds like rock and roll, even Morricone music.

It sounds like rock and roll spaghetti Western music. Lovelace also appeared in the film as Laura, a waitress; she reprises the role in Jackie Brown.

The album peaked on the Billboard chart at number Estella Tincknell describes how the particular combination of well-known and obscure recordings helps establish the film as a "self-consciously 'cool' text.

The Weinsteins "hit the beach like commandos", bringing the picture's entire cast over. The first U. Todd McCarthy called Pulp Fiction a "spectacularly entertaining piece of pop culture It's like, all of a sudden, 'I gotta watch this I gotta pay attention.

It's actually fun to watch an audience in some ways chase after a movie. The New York Times published its review the day of the opening.

Janet Maslin called the film a "triumphant, cleverly disorienting journey through a demimonde that springs entirely from Mr. Tarantino's ripe imagination, a landscape of danger, shock, hilarity and vibrant local color As Peter Biskind describes, "It was not platformed, that is, it did not open in a handful of theaters and roll out slowly as word of mouth built, the traditional way of releasing an indie film ; it went wide immediately, into 1, theaters.

Miramax played with the issue in its marketing campaign: "You won't know the facts till you've seen the fiction", went one slogan.

The website's critical consensus reads, "One of the most influential films of the s, Pulp Fiction is a delirious post-modern mix of neo-noir thrills, pitch-black humor, and pop-culture touchstones.

The response of major American film reviewers was widely favorable. It dares Hollywood films to be this smart about going this far.

If good directors accept Tarantino's implicit challenge, the movie theater could again be a great place to live in. I'm not sure I've ever encountered a filmmaker who combined discipline and control with sheer wild-ass joy the way that Tarantino does.

The Los Angeles Times was one of the few major news outlets to publish a negative review on the film's opening weekend.

Kenneth Turan wrote, "The writer-director appears to be straining for his effects. Some sequences, especially one involving bondage harnesses and homosexual rape, have the uncomfortable feeling of creative desperation, of someone who's afraid of losing his reputation scrambling for any way to offend sensibilities.

While not panning the film, Stanley Kauffmann of The New Republic felt that "the way that [it] has been so widely ravened up and drooled over verges on the disgusting.

Pulp Fiction nourishes, abets, cultural slumming. Debate about the film spread beyond the review pages. Violence was often the theme.

In The Washington Post , Donna Britt described how she was happy not to see Pulp Fiction on a recent weekend and thus avoid "discussing the rousing scene in which a gunshot sprays somebody's brains around a car interior".

In the Chicago Tribune , Todd Boyd argued that the word's recurrence "has the ability to signify the ultimate level of hipness for white males who have historically used their perception of black masculinity as the embodiment of cool".

Only in this age could a writer as talented as Tarantino produce artworks so vacuous, so entirely stripped of any politics, metaphysics, or moral interest.

At the 52nd Golden Globe Awards , Tarantino, named as sole recipient of the Best Screenplay honor, failed to mention Avary in his acceptance speech.

Travolta, Jackson, and Thurman were each nominated as well for the 1st Screen Actors Guild Awards , presented on February 25, but none took home the honor.

Pulp Fiction quickly came to be regarded as one of the most significant films of its era. In Siskel's view,. Each film shook up a tired, bloated movie industry and used a world of lively lowlifes to reflect how dull other movies had become.

And that, I predict, will be the ultimate honor for Pulp Fiction. Like all great films, it criticizes other movies. And that the parody or alteration of that film creates a new form, a different experience for the audience.

In a widely covered speech on May 31, , Republican presidential candidate Bob Dole attacked the American entertainment industry for peddling "nightmares of depravity".

Pulp Fiction was soon associated with his charges concerning gratuitous violence. Dole had not mentioned the film; he cited two less-celebrated movies based on Tarantino screenplays, Natural Born Killers and True Romance.

Paula Rabinowitz expresses the general film industry opinion that Pulp Fiction "simultaneously resurrected John Travolta and film noir".

Less than a year after the picture's release, British critic Jon Ronson attended the National Film School 's end-of-semester screenings and assessed the impact: "Out of the five student movies I watched, four incorporated violent shoot-outs over a soundtrack of iconoclastic 70s pop hits, two climaxed with all the main characters shooting each other at once, and one had two hitmen discussing the idiosyncrasies of The Brady Bunch before offing their victim.

Not since Citizen Kane has one man appeared from relative obscurity to redefine the art of moviemaking. Its impact on Hollywood was deeper still.

According to Variety , the trajectory of Pulp Fiction from Cannes launch to commercial smash "forever altered the game" of so-called independent cinema.

Once the studios realized that they could exploit the economies of small scale, they more or less gave up buying or remaking the films themselves, and either bought the distributors, as Disney had Miramax, or started their own And its impact was even broader than that.

It has been described as a "major cultural event", an "international phenomenon" that influenced television, music, literature, and advertising.

Several scenes and images from the film achieved iconic status; in , Entertainment Weekly declared, "You'd be hard-pressed, by now, to name a moment from Quentin Tarantino's film that isn't iconic.

In , BBC News reported that "London transport workers have painted over an iconic mural by 'guerrilla artist' Banksy Jackson and John Travolta clutching bananas instead of guns.

One of the more notable homages to Jules "Biblical" quote was one Jackson himself played a part in, near the end of 's Captain America: The Winter Soldier , Jackson's character Col.

Nick Fury , presumed dead, visits his own gravestone, on which, below Fury's name is inscribed "The path of the righteous man Pulp Fiction now appears in several critical assessments of all-time great films.

In , Entertainment Weekly named it the best film of the past quarter-century. A Empire poll combining the opinions of readers, movie industry professionals, and critics named Pulp Fiction the ninth-best film of all time.

Tarantino has stated that he originally planned "to do a Black Mask movie", referring to the magazine largely responsible for popularizing hardboiled detective fiction.

Both dealt heavily in the realm of improbable coincidences and cruel cosmic jokes, a realm that Pulp Fiction makes its own.

He suggests that Leonard's "rich dialogue" is reflected in Tarantino's "popular-culture-strewn jive"; he also points to the acute, extremely dark sense of humor Leonard applies to the realm of violence as a source of inspiration.

Robert Kolker sees the "flourishes, the apparent witty banality of the dialogue, the goofy fracturing of temporality [as] a patina over a pastiche.

The pastiche The movie's host of pop culture allusions, ranging from the famous image of Marilyn Monroe 's skirt flying up over a subway grating to Jules addressing a soon-to-be victim as " Flock of Seagulls " because of his haircut, [] have led many critics to discuss it within the framework of postmodernism.

Describing the film in as Tarantino's "postmodern masterpiece He characterizes its convoluted narrative technique as "postmodern tricksiness".

She proposes that it "can be seen as effecting her resurrection from the dead, simultaneously recalling and undermining the Gothic convention of the vampire's stake.

On this model, the referencing of previous aesthetic forms and styles moves beyond Mark T. Conard asks, "[W]hat is the film about?

Pulp Fiction unmasks the macho myth by making it laughable and deheroicizes the power trip glorified by standard Hollywood violence.

There is no nudity and no violence directed against women Where Stone sees a celebration, Kolker finds a vacuum: "The postmodern insouciance, violence, homophobia, and racism of Pulp Fiction were perfectly acceptable because the film didn't pretend seriousness and therefore didn't mock it.

That's why Pulp Fiction was so popular. Not because all audiences got all or any of its references to Scorsese and Kubrick, but because the narrative and spatial structure of the film never threatened to go beyond themselves into signification.

Henry A. Giroux argues that Tarantino "empties violence of any critical social consequences, offering viewers only the immediacy of shock, humor, and irony-without-insight as elements of mediation.

None of these elements gets beyond the seduction of voyeuristic gazing Regarding the violence and nihilism in the film, Pamela Demory has suggested that Pulp Fiction should be seen in light of the short stories of Flannery O'Connor , [] which likewise feature "religious elements, banality, and violence with grotesque humor.

Pulp Fiction is full of homages to other movies. According to the filmmaker;. Everybody thinks that I wrote this scene just to have John Travolta dancing.

But the scene existed before John Travolta was cast. But once he was cast, it was like, "Great. We get to see John dance. All the better.

My favorite musical sequences have always been in Godard, because they just come out of nowhere. It's so infectious, so friendly.

And the fact that it's not a musical, but he's stopping the movie to have a musical sequence, makes it all the more sweet. Jerome Charyn argues that, beyond "all the better", Travolta's presence is essential to the power of the scene, and of the film:.

Travolta's entire career becomes " backstory ", the myth of a movie star who has fallen out of favor, but still resides in our memory as the king of disco.

We keep waiting for him to shed his paunch, put on a white polyester suit, and enter the Odyssey club in Bay Ridge, Brooklyn, where he will dance for us and never, never stop.

Daniel Day-Lewis couldn't have woken such a powerful longing in us. He isn't part of America's own mad cosmology Tony Manero [is] an angel sitting on Vince's shoulder Estella Tincknell notes that while the "diner setting seems to be a simulacrum of a 'fifties' restaurant The 'past' thus becomes a more general 'pastness' in which the stylistic signifiers of various decades are loaded in to a single moment.

The pivotal moment in which Marsellus crosses the street in front of Butch's car and notices him evokes the scene in which Marion Crane's boss sees her under similar circumstances in Psycho When Butch decides to rescue Marsellus, in Glyn White's words, "he finds a trove of items with film-hero resonances".

At the conclusion of the scene, a portentous line of Marsellus' echoes one from the crime drama Charley Varrick , directed by another of Tarantino's heroes, Don Siegel ; the name of the character who speaks it there is Maynard.

That's definitely the one to beat in that particular category! Neil Fulwood focuses on Butch's weapon selection, writing, "Here, Tarantino's love of movies is at its most open and nonjudgemental, tipping a nod to the noble and the notorious, as well as sending up his own reputation as an enfant terrible of movie violence.

Moreover, the scene makes a sly comment about the readiness of cinema to seize upon whatever is to hand for its moments of mayhem and murder.

The traditional Japanese sword, in contrasts, represents a culture with a well-defined moral code and thus connects Butch with a more meaningful approach to life.

Robert Miklitsch argues that "Tarantino's telephilia" may be more central to the guiding sensibility of Pulp Fiction than the filmmaker's love for rock 'n' roll and even cinema:.

Talking about his generation, one that came of age in the '70s, Tarantino has commented that the "number one thing we all shared wasn't music, that was a Sixties thing.

Our culture was television. Sharon Willis focuses on the way a television show Clutch Cargo marks the beginning of, and plays on through, the scene between young Butch and his father's comrade-in-arms.

The Vietnam War veteran is played by Christopher Walken, whose presence in the role evokes his performance as a traumatized G. Willis writes that "when Captain Koons enters the living room, we see Walken in his function as an image retrieved from a repertoire of s television and movie versions of ruined masculinity in search of rehabilitation The combination of the mysterious suitcase lock is , the " Number of the Beast ".

Originally, the case was to contain diamonds, but this was seen as too mundane. For filming purposes, it contained a hidden orange light bulb that produced an otherworldly glow when the case was opened.

The interview resumes with Rodriguez discussing how radically the "knowledge" of the briefcase's contents alters one's understanding of the movie. Despite Tarantino's statements, many solutions to what one scholar calls this "unexplained postmodern puzzle" have been proposed.

That movie, whose protagonist Tarantino has cited as a source for Butch, features a glowing briefcase housing an atomic explosive. Analyzing the notion, Roger Ebert dismissed it as "nothing more than a widely distributed urban legend given false credibility by the mystique of the Net".

Jules ritually recites what he describes as a biblical passage, Ezekiel , before he executes someone.

The first version of the passage is as follows:. The path of the righteous man is beset on all sides by the iniquities of the selfish and the tyranny of evil men.

Blessed is he who in the name of charity and goodwill shepherds the weak through the valley of darkness, for he is truly his brother's keeper and the finder of lost children.

And I will strike down upon thee with great vengeance and furious anger those who attempt to poison and destroy My brothers.

And you will know My name is the Lord when I lay My vengeance upon thee. The second version, from the diner scene, is identical except for the final line: "And you will know I am the Lord when I lay my vengeance upon you.

While the final two sentences of Jules' speech are similar to the actual cited passage, the first two are fabricated from various biblical phrases.

Tarantino's primary inspiration for the speech was the work of Japanese martial arts star Sonny Chiba.

Its text and its identification as Ezekiel derive from an almost identical creed that appears at the beginning of the Chiba movie Karate Kiba The Bodyguard ; , where it is both shown as a scrolling text and read by an offscreen narrator.

The path of the righteous man and defender is beset on all sides by the iniquity of the selfish and the tyranny of evil men. Blessed is he, who in the name of charity and good will, shepherds the weak through the valley of darkness, for he is truly his brother's keeper, and the father of lost children.

And I will execute great vengeance upon them with furious anger, who poison and destroy my brothers; and they shall know that I am Chiba the Bodyguard when I shall lay my vengeance upon them!

In the s television series Kage no Gundan Shadow Warriors , Chiba's character would lecture the villain-of-the-week about how the world must be rid of evil before killing him.

Two critics who have analyzed the role of the speech find different ties between Jules' transformation and the issue of postmodernity. Adele Reinhartz writes that the "depth of Jules's transformation" is indicated by the difference in his two deliveries of the passage: "In the first, he is a majestic and awe-inspiring figure, proclaiming the prophecy with fury and self-righteousness In the second It may make you feel good, but it certainly doesn't leave you any wiser.

Much of Pulp Fiction ' s action revolves around characters who are either in the bathroom or need to use the toilet. To a lesser extent, Tarantino's other films also feature this narrative element.

Butch and Fabienne play an extended scene in their motel bathroom, he in the shower, she brushing her teeth; the next morning, but just a few seconds later in screen time, she is again brushing her teeth.

After Marvin's absurd death, Vincent and Jules wash up in Jimmie's bathroom, where they get into a contretemps over a bloody hand towel.

As described by Peter and Will Brooker, "In three significant moments Vincent retires to the bathroom [and] returns to an utterly changed world where death is threatened.

In the Brookers' analysis, "Through Vince She links this fact with the traditional derisive view of women as "the archetypal consumers of pulp":.

Locating popular fiction in the bathroom, Tarantino reinforces its association with shit, already suggested by the dictionary meanings of "pulp" that preface the movie: moist, shapeless matter; also, lurid stories on cheap paper.

Perched on the toilet with his book, Vincent is feminized by sitting instead of standing as well as by his trashy tastes; preoccupied by the anal, he is implicitly infantilized and homosexualized; and the seemingly inevitable result is being pulverized by Butch with a Czech M61 submachine gun.

That this fate has to do with Vincent's reading habits is strongly suggested by a slow tilt from the book on the floor directly up to the corpse spilled into the tub.

Willis reads Pulp Fiction in almost precisely the opposite direction, finding "its overarching project as a drive to turn shit into gold.

This is one way of describing the project of redeeming and recycling popular culture, especially the popular culture of one's childhood, as is Tarantino's wont as well as his stated aim.

Pulp Fiction won eight major awards from a total of twenty-six nominations, including a Best Original Screenplay win at the 67th Academy Awards.

American Film Institute Lists. From Wikipedia, the free encyclopedia. This article is about the film. For other uses, see Pulp fiction. Theatrical release poster.

Quentin Tarantino Roger Avary. John Travolta Samuel L. A Band Apart Jersey Films. Release date. Running time. Vincent "stares Vincent's demeanor reinforces the allusion to the scene in Kiss Me Deadly in which Lily Carver, a.

Gabrielle Gaby Rodgers , gazes into the glowing case. Conclusion of the "Ezekiel " monologue and Brett's murder. Main article: List of accolades received by Pulp Fiction.

Film portal United States portal s portal. British Board of Film Classification. Archived from the original on May 10, Retrieved November 11, Box Office Mojo.

Archived from the original on April 30, Retrieved May 13, The Washington Post. Archived from the original on July 9, Retrieved September 19, San Francisco Chronicle.

Archived from the original on January 12, Retrieved September 20, Writers Guild of America, West. Archived from the original on March 6, Retrieved November 29, Entertainment Weekly.

June 18, Archived from the original on October 3, Retrieved September 29, Archived from the original on December 18, Retrieved December 18, Library of Congress, Washington, D.

Retrieved May 8, January Senses of Cinema. Archived from the original on December 31, Retrieved December 31, The Guardian.

Retrieved December 27, Archived from the original on January 4, Note again that all the main actors were paid identical weekly salaries.

It appears that these figures cited for Travolta do not include his participation, if any, in the film's profits. Archived from the original on October 23, Retrieved November 18, Archived from the original on October 15, Jackson's Role in 'Pulp Fiction ' ".

The Ringer. Archived from the original on August 20, Retrieved August 21, Alex August 19, Archived from the original on May 7, Retrieved December 29, Premiere UK.

Archived from the original on January 20, Retrieved April 11, Archived from the original on November 20, Retrieved July 20, Archived from the original on April 13, Archived from the original on June 4, Retrieved September 16, IPC Media Oldman was the preferred choice for [Lance].

October 28, Archived from the original on November 5, Retrieved August 26, See also Rabin, Nathan June 25, Archived from the original on October 2, Archived from the original on July 29, Retrieved August 14, Willis's deal for a percentage of the box office gross was presumably on top of a base weekly salary that was identical to the other main actors', per Polan , p.

New York Post. Retrieved March 15, The A. The Onion. Cinema Blend. The Daily Beast. Rolling Stone. Avalon Travel. SouthCoast Today.

Archived from the original on October 8, Polan says "close to a million dollars" p. February 5, Archived from the original on June 30, Retrieved September 21, The New York Times reported, "Most of the actors received relatively small salaries along with a percentage of the profits.

The New York Times. Retrieved October 8, Tarantino claims the overseas sales were due to his own name; see Dawson , p. Tarantino's one public statement on the topic, quoted here, is clearly devoted to Butch's look and not his personality.

The Hawthorne Grill was torn down not long after the Pulp Fiction shoot. Retrieved December 26,

Kill Bill: Bikeparks 1. Herself Kathy Griffin. Stacey Sher. The Mist Titel ist der englischen Umgangssprache entnommen. James Dean 2 Fans. Zu sehen sind wieder der Eiskönigin Film Samuel L.

Pulp Fiction Besetzung Navigointivalikko Video

Royale With Cheese - Pulp Fiction (2/12) Movie CLIP (1994) HD

Pulp Fiction Besetzung - Welche Schauspieler spielen bei „Pulp Fiction“ mit?

Roger 2 Fans. This category only includes cookies that ensures basic functionalities and security features of the website. Lance 47 Fans. Die The Nice Guys Verknüpfung der einzelnen Stränge wird an Insidious Ganzer Film Deutsch Motiven wie dem Koffer oder der Kleidung von Vincent und Jules erkennbar. Klondike Sy Sher. Vincent Vega und sein Partner sind Killer. Harvey Keitel. Der Ladenbesitzer ruft Zed, Mitarbeiter eines Sicherheitsdienstes, hinzu. Jimmie Dimmick Quentin Tarantino. Stephen Hibbert. Aber Weinstein sorgte dafür, dass eine enthusiastische Rezension durch die Kritikerin der New York Times schon vor der Vorführung für die Wettbewerbsjury und das Publikum allen Jury-Mitgliedern in ihren Hotelzimmern zugestellt wurde. Man 4. Elokuvan tarinaa ei esitetä kronologisessa Elektronikmarkt, vaan se hyppii edestakaisin ajassa. Kappale on hindi pop -musiikin tunnetuimpia levytyksiä, ja sitä on Pulp Fictionin jälkeen käytetty lukuisissa Wdr 3 Hörspiel yhteyksissä. Talking about his generation, one that came of age in the '70s, Tarantino has commented that the "number one thing we all shared wasn't music, that was a Sixties thing. Harvey Keitel. Rosanna Arquette. Wilson's Trainer Carl Allen They take the briefcase to Marsellus, but they have to wait while he bribes champion boxer Butch Rtl Sommerhaus 2019 to take a Destinet in his upcoming match. Bernard Fuck Of. John Travolta als Vincent Vega; Samuel L. Jackson als Jules Winnfield; Uma Thurman als Mia Wallace; Bruce Willis als Butch Coolidge. Jackson als "Vincent Vega" und "Jules Winnfield". (Foto: imago stock&people). Hätte uns Jackson nicht seinen Hesekiel-Vers 25,17 vorgetragen . Diese Darsteller wollte Quentin Tarantino eigentlich für „Pulp Fiction“ haben. von Rolling Stone Johnny Depp als Pumpkin, Marisa Tomei als Mia. Vincent Vega und Jules Winnfield holen für ihren Boss Marsellus Wallace eine schwarze Aktentasche aus einer Wohnung ab. Drei Jungs, die ihnen dabei im Weg. Marsellus Wallace. Yuppie 11 Fans. Drug Dealer uncredited. Dieser Artikel befasst sich mit dem Film dieses Namens. Bob Weinstein. Die politischen Bezüge zu den aktuellen Rassenunruhen in Amerika, wo immer wieder — vor allem schwarze — Unschuldige von Polizisten erschossen werden, sind deutlich. Vielleicht Eroberung Konstantinopels "Pulp Fiction" ja mit so ziemlich jeder Wilde Zeiten Besetzung ein Kassenschlager geworden.

Pulp Fiction Besetzung Schauspielerinnen und Schauspieler

Sherlock Holmes. Bad Lieutenant. Bill Und Ted Verrückte Reise In Die Zukunft dessen Produktion Jackie Brown von war er erneut zu sehen. Doch als es um "Pulp Fiction" ging, hatte der Regisseur sie offenbar zunächst gar nicht auf dem Zettel. Stattdessen bekamen sie wöchentlich Da ist also ein gutes Stück Durchhaltevermögen Gerad.

Pulp Fiction Besetzung Navigation menu Video

PULP FICTION: frauenfeindlich und überbewertet? Wer hat Recht? (BACK TO THE 90s)

Sen jälkeen Jules siteeraa kohdan Raamatusta ja teloittaa Brettin Vincentin kanssa. Lähes tyhjillään olevassa cocktailbaarissa, vanheneva ammattinyrkkeilijä Butch Coolidge Bruce Willis ottaa vastaan suuren summan rahaa Marsellukselta, suostuttuaan sopupeliin tulevassa ottelussa.

T-paitoihin ja shortseihin pukeutuneet Vincent ja Jules saapuvat salkun kanssa, ja Butch ja Vincent kohtaavat ohimennen.

Hän piikittää sen ennen ajamistaan rouva Mia Wallacen Uma Thurman luo viedäkseen tämän ulos. He saapuvat ravintolaan, jossa on luvun teema ja joka on täynnä sen ajanjakson popikoneja.

Mia kertoo kokemuksistaan epäonnistuneessa televisiopilotissa nimeltä Fox Force Five. Kaksikko osallistuu twistikilpailuun ja palaa Wallacen asunnolle palkinnon kera.

Mia löytää Vincentin takintaskusta heroiinia, ja luullessaan sitä kokaiiniksi hän vetää sen nenäänsä ja saa yliannostuksen. Vincent vie hänet kiireessä Lancen luo.

Lance ja Vincent antavat Mialle adrenaliinipiikin, jonka seurauksena Mia virkoaa. Mia ja Vincent päättävät olla kertomatta Marsellukselle tapahtuneesta.

Seuraavaksi luvussa seurataan Butchin tarinaa. Se alkaa unella muistosta, jossa Butch on vielä pieni poika ja hänen isänsä ystävä Christopher Walken tulee kertomaan samalla aikaa hauskan ja surullisen tarinan.

Koko tarina alkaa vasta unen päätyttyä. Marsellus Wallace on maksanut Butchille, jotta hän häviäisi nyrkkeilyottelunsa, mutta tämä on päättänyt toisin ja tappaa samalla vastustajansa.

Hän käärii sievoisen summan vedonlyönnistä ja saa Wallacen vihan niskaansa. Yhdessä tyttöystävänsä kanssa hän päättää paeta kaupungista.

He eivät kuitenkaan voi lähteä, sillä Butch tajuaa isänsä vanhan kultakellon olevan vielä vanhassa asunnossa.

Hän lähtee hakemaan sitä tyttöystävänsä Honda Civicillä ja ampuu asunnossaan häntä odottelevan Vincentin tämän omalla aseella. Butch pääsee tämän jälkeen rauhallisesti pakenemaan, mutta pysähtyessään suojatien eteen Marsellus näkee hänet.

Butch ajaa Marsellusta päin ja tapahtumaa seuranneessa tilanteessa piiloutuu panttilainaamoon. Kaupan omistaja Maynard ottaa sekä Butchin että Marselluksen vangeiksi tarkoituksenaan raiskata heidät vartijaystävänsä Zedin kanssa.

Butch saa tilaisuuden paeta, mutta päättää lopulta pelastaa Marselluksen. Butch tappaa Maynardin katanalla, ja Marselluksen päästessä jaloilleen tämä ampuu Zedia hänen sukupuolielimiin haulikolla, jättäen tämän kitumaan.

Marsellus antaa vastapalveluksena Butchille aikaa paeta Zedin chopperilla , ja Marsellus jää Zedin kanssa huoneeseen aikeinaan kutsua ystäviään kiduttamaan tätä.

Luvussa palataan takaisin aamuun, kun Vincent ja Jules ovat hakemassa salkkua. Takahuoneeseen piiloutunut mies ryntää sisään tyhjentäen aseensa kohti kaksikkoa, mutta ampuu kuin ihmeen kaupalla kaikki luodit ohi.

Jules ja Vincent ampuvat miehen, ja Jules tulee tapauksen johdosta uskoo, sillä hän pitää sitä Jumalan väliintulona.

He ottavat ainoan henkiin jättämänsä miehen Marvinin mukaansa, mutta autossa ollessaan Vincent ampuu häntä vahingossa päähän. Jälleen kerran he ovat pulassa, sillä auton sisätila on yltä päältä veressä ja heidän on vietävä auto pois valtatieltä.

Jimmien vaimo Bonnie on tulossa kotiin, ja heillä on ruumis ja verta Chevrolet Nova en täydeltä. Jules soittaa Marsellukselle, joka lupaa heille avuksi ongelmienratkaisun spesialistin, Winston Wolfin Harvey Keitel , joka matkaa paikalle nopeasti Acura NSX:llään ja selvittää tilanteen päättelyllä alle puolessa tunnissa.

Vincent ja Jules päättävät väsyneinä aamun tapahtumien jälkeen käydä syömässä, ennen kuin vievät salkun Marsellukselle.

He menevät kahvilaan, ja Vincentin ollessa WC:ssä elokuvan alku ja loppu vedetään yhteen, kun kahvilaa alussa ryöstävä pariskunta vetää aseensa esiin.

Jules ratkaisee kuitenkin tilanteen ampumatta laukaustakaan ja osoittaen samalla valaistumisensa. Elokuva päättyy, kun pariskunta lähtee pois kahvilasta.

Hieman sen jälkeen myös Jules ja Vincent häipyvät. Elokuva ei noudata normaalin kerronnan sääntöjä, kuten eivät yleensä muutkaan Tarantinon elokuvat.

Elokuva on jaettu erikseen nimettyihin lukuihin, joissa esiintyvät samat henkilöt. Kappale on hindi pop -musiikin tunnetuimpia levytyksiä, ja sitä on Pulp Fictionin jälkeen käytetty lukuisissa eri yhteyksissä.

Elokuvassa käytetään englannissa vahvaa kirosanaa fuck kertaa. Tarantino on maininnut elokuvan liittyvän osittain hänen aiempaan elokuvaansa Reservoir Dogs.

Blonden oikealta nimeltään Vic Vega olevan veljeksiä. Quentin Tarantino sai ajatuksen Pulp Fictionin juoneen jo ennen ohjaajanuransa alkua.

Hän päätti yhdistää kolme tavanomaista juonta kokoomateokseksi: nyrkkeilijä, jonka pitää hävitä sovittu ottelu, mutta hän ei häviä; palkkamurhaajat, jotka menevät jonnekin tappamaan ihmisiä ja gangsteri, jonka pitää viedä pomon tyttöystävä ulos.

Tyyliltään tarina muistuttaisi Raymond Chandlerin ja Dashiell Hammettin luvun kovaksikeitettyjä dekkareita, joiden mukaan tarina sai lopullisen nimensäkin.

Alun perin Tarantino halusi toteuttaa kolmiosaisen teoksensa kolmen eri käsikirjoittajan voimin. Nyrkkeilijä-episodin kirjoittajaksi valikoitui Tarantinon ystävä Roger Avary , mutta kolmanteen episodiin ei koskaan löytynyt kirjoittajaa; Tarantino päätti kirjoittaa kaksi muuta episodia itse.

Ajatuksena oli käyttää esitellä yksi hahmoista jakson päähenkilönä ja sitten käyttää samaa hahmoa sivuhenkilönä toisessa jaksossa.

Tarantino päätti kuitenkin laittaa Pulp Fictionin syrjään alettuaan kirjoittaa tarinaa, josta tuli myöhemmin hänen ensimmäinen kokoillan elokuvansa, Reservoir Dogs.

Vuonna kolmekymmentävuotias Quentin Tarantino matkusti Amsterdamiin tarkoituksenaan kirjoittaa uuden elokuvansa käsikirjoitus. Pulp Fictionin käsikirjoituksen ensimmäinen versio syntyi tuolla matkalla.

Vierailtuaan Cannesin elokuvajuhlilla , jossa Reservoir Dogsia esitettiin, Tarantino, Roger Avary ja Stacey Sher ajoivat takaisin Amsterdamiin viimeistelemään käsikirjoitusta.

Ensimmäinen episodi oli tuolloin jo valmis, ja Tarantino ja Avary alkoivat yhdessä kirjoittaa toista osaa. Avaryn lähdettyä Tarantino alkoi lisätä dialogia hänen kirjoittamiinsa osioihin.

Koska Tarantinon käsiala ja oikeinkirjoitus olivat heikkoja, hän pyysi Los Angelesiin palattuaan ystävänsä, konekirjoittaja Linda Chenin, kirjoittamaan tarinansa puhtaaksi.

Valmiin sivuisen käsikirjoituksen kanteen oli kirjoitettu "Toukokuu viimeinen versio", jolla Tarantino halusi kertoa studiolle, ettei enempää muutoksia tai korjauksia tarvittaisi.

Avaryn mukaan hän oli sopinut Tarantinon kanssa, että he jakaisivat kunnian käsikirjoituksesta, mutta elokuvan tuotannon alettua Tarantinon lakimies otti yhteyttä Avaryyn ja ehdotti, että hänen nimensä mainittaisiin lopputeksteissä vain tarinan keksijänä.

Tarantinon mukaan Avary ainoastaan kehitti konseptin nyrkkeilijä-osioon, eikä muuten osallistunut käsikirjoituksen tekoon.

Tarantino uhkasi jopa kirjoittaa Avaryn osuuden pois elokuvasta, jos ei saisi tahtoaan läpi. Tarantino oli tavannut Danny DeViton Terminator 2 — Tuomion päivä -elokuvan ensi-illassa, jolloin DeVito oli lupautunut tuottamaan mitä vain Tarantino seuraavaksi haluaakaan tehdä.

Vaikka hän pitikin käsikirjoituksesta, sekä DeVito että tuotantoyhtiön johto pitivät sitä liian väkivaltaisena.

Tämän jälkeen Tarantino lähetti käsikirjoituksensa Harvey Weinsteinille , Miramax -tuotantoyhtiön pomolle. Hän jopa suostui Tarantinon vaatimuksiin, joihin kuuluivat kahden ja puolen tunnin kesto, oikeus viimeiseen leikkaukseen ja ehdoton valta näyttelijävalinnoista.

Tarantino oli ajatellut Michael Madsenia kirjoittaessaan Vincent Vegan roolin, mutta näyttelijä oli kiireinen muissa rooleissa, jolloin Tarantino kääntyi John Travoltan puoleen.

Tarantino tarjosi hänelle kahta roolia, ensimmäinen oli vampyyrielokuvasta Hämärästä aamunkoittoon ja toinen Pulp Fictionista.

Travolta hylkäsi ensimmäisen, koska ei pitänyt vampyyreista, ja hyväksyi lopulta heroiini-addiktin Vegan roolin vaimonsa kannustamana.

Elokuvan tekohetkellä John Travoltaa pidettiin jo entisenä tähtenä ja Harvey Weinstein vastusti roolitusta. Hän kehotti Tarantinoa harkitsemaan Daniel Day-Lewisia tai Bruce Willisia , joista kumpikin oli osoittanut kiinnostusta roolia kohtaan, mutta Tarantino kieltäytyi, vedoten sopimukseensa joka antoi hänelle oikeuden valita itse näyttelijänsä.

Hän sai tahtonsa läpi. Bruce Willis halusi työskennellä Tarantinon kanssa ja tapasi hänet Harvey Keitelin grillijuhlilla.

Ainoastaan nyrkkeilijä Butchin rooli oli vapaana, vaikka Tarantino oli luvannut sen jo etukäteen Matt Dillonille.

Willisista Pulp Fiction sai kuitenkin ensimmäisen elokuvatähden riveihinsä, Willisin lupauduttua tinkimään viiden miljoonan dollarin palkastaan. Tarantinon ensimmäinen valinta Mia Wallacen rooliin oli alusta alkaen Uma Thurman.

Thurman suhtautui roolia kohtaan varauksella ja suostui siihen managerinsa vakuutettua hänet. Tarantinon mukaan Laurence Fishburne kieltäytyi Jules Winnfieldin roolista.

Paul Calderon ja Samuel L. Release Dates. Official Sites. Company Credits. Technical Specs. Plot Summary. Plot Keywords. Parents Guide.

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Alternate Versions. Rate This. The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

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Edit Cast Cast overview, first billed only: Tim Roth Pumpkin Amanda Plummer Honey Bunny Laura Lovelace Waitress John Travolta Vincent Vega Samuel L.

Jules Winnfield Phil LaMarr Marvin Frank Whaley Brett Burr Steers Roger Bruce Willis Butch Coolidge Ving Rhames Marsellus Wallace Paul Calderon Paul Bronagh Gallagher Trudi Rosanna Arquette Jody Eric Stoltz Lance Uma Thurman Samuel L.

Taglines: Girls like me don't make invitations like this to just anyone! Edit Did You Know? Trivia Jimmie is wearing a t-shirt bearing the logo of "Orbit", a local alternative newspaper in Metro Detroit, for which Quentin Tarantino did an interview when he was promoting Reservoir Dogs